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Put the depressing world news aside for a bit, and appreciate this savory romantic comedy. John Cusack and Kate Beckinsale shine as Jonathan and Sara, two people brought together while fighting over the last pair of murky cashmere gloves at Bloomingdale’s a few days before Christmas. This leads to a falling-in-love conversation at a coffee shop, ice skating amidst the Christmas decorations of Unusual York, and finally a parting where she won’t sing her name because she believes in fate. Now, if you can bag that a girl can plunge totally in admire and settle not to section her name and number but settle to leave it all up to fate to bring them befriend together, you will savor this movie. And I did! A name on a five-dollar bill and another name in a book called “Savor in the Time of Cholera” are pivotal to the station as Jonathan and his best friend hurry to accept one, while Sara and her best friend stumble onto the other. But this is all several years later when both are about to marry other people. Will the two would-be lovers rep each other in time? Will there be a happy-ever-after ending? Suffice it to say, you will stare the glove counter at Bloomingdale’s one more time.
John Cusack is adorable as always in this ultimate chick flick, and Kate Beckinsale excels as the slightly off-beat girl he can’t forget. But it is Jeremy Piven as his best friend and Eugene Levy as the Bloomingdale’s clerk who have some scene-stealing moments.
Treat yourself to this totally romantic race into a world where all is well and your fondest dreams can advance legal.
Magic happens, if you let it; and sometimes even fate or destiny– or whatever you want to call it– steps in to lend a hand. But when it concerns appreciate, and finding that special person you’re going to consume the rest of your life with, should you risk tempting fate with a test of that cherish or what is seemingly meant to be, or should you fair follow your apparent destiny and embrace it? Such are the questions two people must face and respond in the romantic comedy/drama “Serendipity,” directed by Peter Chelsom. Jonathan Trager (John Cusack) is shopping for a gift for his girlfriend, and Sara Thomas (Kate Beckinsale) is looking for something for her boyfriend when they approach for the same pair of gloves on a rack at Bloomingdales. And the wheels of fate are mercurial turning. Or are they? Jonathan and Sara move to use the next few hours together, including a romantic interlude skating in Current York’s Central Park, and there are certain sparks flying between them. For Jonathan, it’s a critical emotional experience, and he realizes something has happened, that something has changed in his life; Sara feels the same, but being a fair believer in destiny, she needs a stamp that this is meant to be before she’ll believe pursuing whatever it is that’s objective happened between them. So she puts it to the test. And for Jonathan, sparkling only that her name is Sara, it’s the beginning of an odyssey– a quest– to accumulate moral like with the woman he already knows in his heart of hearts that he wants to piece his life with. For Sara, it’s the beginning of a search for cherish, and for that one special person she knows is destined to be her soul mate forever. They both secure, however, that the path to pure like is filled with every obstacle the known universe could possibly set in their draw. And is the scramble worth it? Well, in the destroy, it all comes down to what fate has predetermined. Or does it?
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In the tradition of such films as “Sleepless In Seattle” and “You’ve Got Mail,” Chelsom has fashioned a truly romantic record of two people who are absolutely destined to be together, no matter what. And– as the audience knows early on– nothing less will be acceptable. Hanks and Ryan may be missing, but the charismatic Cusack and the beguiling Beckinsale more than acquire up for it, carving out their fill niche in the genre with this outing, and Chelsom has fair enough of that Nora Ephron touch (including the employ of music, matching the perfect song with every area) to produce it work. The chances of things ever happening in steady life the blueprint they do in this movie are about twice as remote as winning the lottery, but who cares? This is a heartwarming legend about love– about the method we “want” like to be– and it’s delivered with an endearing care that makes it emotionally titillating, appealing and a thoroughly satisfying experience. And there’s not a whole lot more you can ask of a movie, I mediate.
Cusack is so likable, and manages to utter the bedevilment of his set with such facility, that the viewer is unequivocally drawn in from the beginning. You want things to work out for this guy– and Sara, as well; and, of course, you’re fine confident from the outset they are going to. But along the method they effect you feel something; they enable you to portion the frustration as well as the elation that comes with discovering admire, and perhaps finding that better section of yourself at the same time. And the fact that Cusack makes Jonathan so believable, and someone with whom you can identify, has more than a lot to do with it. It’s a quality performance from an actor with the flexibility and range to do fair about anything, and who never disappoints.
The other half of the equation for success, of course, belongs to Beckinsale, who is not only heavenly, but a honorable actor who infuses her character with a touch of mystery and complexity that makes her winsome and titillating. Like Cusack’s Jonathan, Sara is someone you can root for; you want to eye her win what she wants and what she deserves. This isn’t a perfect world we live in, and we all know it; but for Sara and Jonathan you want it to be. There’s a chemistry between the two of them, and they construct it so easy for you to project your contain feelings and desires into their residence, that there’s no getting around it. If they come by, you catch. It’s that simple. And even though they pick you over some rough spots along the arrangement, it’s a fun lope and Beckinsale and Cusack– Sara and Jonathan– develop it a skedaddle worth taking.
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The supporting cast includes Molly Shannon, Jeremy Piven, Bridget Moynahan and Eugene Levy (who is terrific– and hilarious– as a sales clerk at Bloomingdales) . A pleasing film that touches all the true nerves and pushes all the proper buttons, “Serendipity” has a gentle sensibility about it that addresses the notions of romance and admire that reside within us all. And it’s refreshingly presented in a intention that is pure and inoffensive; and as such it allows you to initiate up and embrace something of value without having to apologize for it, and without implying you have to be “hip” to indulge in it. Because it’s all about savor and sharing admire, which is something we can all employ a diminutive more of in this world we live in today. And that’s the magic of the movies.
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